REVIEW: Boston Ballet Flaunts a Stunning Sleeping Beauty

Last weekend, in an ambitious endeavor to conclude their season with three ballets in three weeks, Boston Ballet reprised a short but ever-so-sweet production of Marius Petipa’s The Sleeping Beauty.

Boston Ballet Promotes Five Dancers

Yesterday, Boston Ballet announced the promotion of five dancers for the 2018–19 season: Soloists Ji Young Chae and Derek Dunn are promoted to principal, Patric Palkens is promoted two positions from artist to soloist, and Artists Chrystyn Fentroy and Drew Nelson are promoted to second soloist.

Inside Look: William Forsythe’s Pas/Parts 2018

Having worked closely with William “Bill” Forsythe, both as a dancer and stager, for nearly three decades, Pas/Parts 2018 stager Jill Johnson hopes audiences view this ballet with an open mind. “It can be interpreted in a multitude of ways—there isn’t a singular way to experience it.”

Inside Look: Jorma Elo’s Bach Cello Suites

Simple, rich and intimate, Jorma Elo’s first plunge into classical ballet features selections from Johann Sebastian Bach’s famed Cello Suites. Since its premiere in 2015, Mr. Elo has simplified Bach Cello Suites’ choreography and brightened its lighting.

Inside Look: Justin Peck’s In Creases

For Patricia Delgado, working on Justin Peck’s In Creases is a first shot at staging. After retiring as a principal dancer from Miami City Ballet last April, Mr. Peck asked her to set his first-ever ballet on Boston Ballet.

When Dancers Become Actors: Boston Ballet Principals Talk Romeo & Juliet

Sometimes when dancers take the stage, choreography is the least of their worries. Take John Cranko’s Romeo & Juliet—acting, the dancers say, is the key. Boston Ballet Principals Seo Hye Han and Lasha Khozashvili have been perfecting not only their technique, but the emotion in the ballet of William Shakespeare’s classic romance for months. Together, Ms. Han and Mr. Khozashvili will take the stage as Juliet and Romeo later this month.

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